Senkron is designed as a pure and modern neo grotesk font. The anatomy of the letters are designed to achieve an equal text color. For this purpose, the legs of the letters “R” and "K" are designed with a vertical angle to prevent the white space that would occur in the middle of these letters, etc. In miniscule letters, the characteristic features of letters such as ‘a’, ‘l’, ‘t’ are concretized and legibility was supported in the text. Considerable attention has been paid to the harmony between the anatomical structures of the letters and the diacritical mark’s structure.
Senkron Blok is arranged for situations which are diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majiscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 82 letters have been redesigned in this way.
Showing posts with label accents. Show all posts
Showing posts with label accents. Show all posts
Download Senkron Font Family From Murat Çil
Download Mozsar Font Family From Miklós Ferencz
Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look.
With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size.
The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants.
The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).
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