Oksana Vasilieva

Mixta is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces.

Create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates.

Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support. 

Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.

(*) Take a look at the User Guide to see all the features available.

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look 1970s!

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.

Yuge is a handwritten font - made with a Sharpie pen.

Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

The family is equipped with

7 cuts — light to heavy —

2 extra versions “Placard” to set very large

stylistic alternates with letterforms that are round-edgy

alternates with flat diacritics

standard and oldstyle figures

and a variable font

What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.

Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.

— —

Graphic design by Salzmann Gertsch, Switzerland.

“We think the Energy has a great style and it’s also fun to design with it!”

Ferrara™—Bodoni's Premier Display Font

From 1750-1806 Bodoni made some of the greatest fonts of all time.

These fonts were all but forgotten except in rare books rooms and in vaults underneath our most prestigious universities.

200 years later, the CAL Type Foundry has brought back the very designs drawn by the master himself. Made for large sizes, every detail of the font has been meticulously preserved so that you can work with Bodoni's actual typeface.

3 Display Fonts in One

Bodoni's 1st Draft - A Transitional Font

Bodoni's Rework - A Modern Style

Informal On™ - Informal Mode by CAL Type Foundry

Includes:

• Bodoni's Tivoli a

• Sturdy Displays to Majestic Hairlines Fonts

• Drawn with Sfumato™ Technique, the closest thing to metal type

This display font has it all.

Monologues combines two stunning and trendy fonts (signature script and sans serif caps).

I've created this font for those designers who don’t have a lot of time on long searching for the best font pairs but want to get the high quality product that will helps them to create trendy and stylish branding for any business.

Monologues Script features 91 ligatures and stylistic alternates for each lowercase letter giving you the options to look totally custom. Font also includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation.

Monologues Sans Serif is a classy high contrast font that contains only uppercase characters, numerals and punctuation. It has a regular and italic versions.

All fonts available for Western European, Central European and South Eastern European Languages. You can check your language typing characters in text box above.

Brayhonest offers a wide range of options for creating logos, titles and titles. It is suitable for books, editorials, packaging, advertising, brand imaging and more.

Brayhonest includes Collection of Uppercase, Stylistic, Latin Based Language Support, Numbers and Punctuation. Set Stylistic is available in Uppercase and Lowercase.

Brayhonest is encoded with PUA Unicode, which allows access to all features without special design software. Mac users can use Font Books, and Windows users can use Character Map to view and copy extra characters to paste into your favorite app / text editor.

Vallenia comes with 2 Weights: Vallenia Regular and Vallenia love.

Vallenia is perfect for your work with love style.

It's very suitable for t-shirts, the web, love greeting cards, weddings, and many other projects.

Motoride is an authentic handcrafted lettering that transformed into a font. It was inspired by the world of custom motorcycles.

It's vintage style is suitable for every design which needs a timeless typeface, such as logotype, apparel, branding, packaging, advertising, Instagram quotes and more! This font features a wealth of OpenType features including alternate glyphs, ligatures, and swashes.

This font is multi-language and also PUA encoded which means you can access all of the alternate glyphs with ease. 

We hope you will enjoy the font, please feel free to comment if you have any thoughts or feedback. 

Carmensin is a beautiful humanist serif typeface created by Rafael Jordán. Designed in the 21st Century with all the flavor of the Renaissance. The conclusion of a story that began in Type@Paris program in June, 2015 & ended at February, 2020.

Inspired by historical models, its classic conventional appearance with small details, smooth curves, large x-height and open counters made of Carmensin a great, efficient and solid typeface for long text settings. Also, its bigger sizes styles show the beautiful shapes and contrast, exhibiting its exuberance.

Carmensin has a great collection of OpenType features that will satisfy any typographic necessity as ornaments, ligatures, stylistic sets, small caps, automatic fractions and more options along 3 optical styles (Text, Headline and Display) plus a fancy Stencil style. With an extensive Latin character set, Carmensin covers a wide amount of Latin-based languages, including Latin Plus encoding.