Oksana Vasilieva

Rascals is a script typeface with vintage and rustic look! It works perfectly for those who need a typeface for headlines, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and also contains multilingual characters.

CAPITALIZED, geometric, bold and round.

If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way.

Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently.

The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness.

The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow.

The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet.

The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ.

There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes.

And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left.

The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.

Mori Gothic is a versatile and sophisticated sans serif inspired by the Contemporary Japanese design, best suited for editorial, graphic design and branding.

From extra light to bold, it was designed with plenty of open type features, including stylistic sets with circled and squared numbers, subscript and superscript numbers, symbols and punctuations (some of them Japanese), graphic and mathematical symbols and many alternates.

A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications.

Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Wishper Script is a cute and casual handwritten font with an incredibly friendly feel. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Wishper Script will turn any creative idea into a true piece of art!

Pierogies is a signature font, specifically made with a very interesting and unique style when typing letters that are followed by interesting ligatures and a few alternatives. This font is perfect for various design needs such as creating logos, business cards, posters, invitations, packaging products, and more.

Pierogies is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.

Thanks so much for looking and please let me know if you have any questions.

The Comic-Script by ingoFonts

In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement.

The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting.

The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont.

The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights.

In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.

Corso is a clean condensed sans serif font family. It comes in upright, slanted and italic, in six weights each.

It includes useful typographic features such as fractions, ligatures and case sensitive forms. Also included are double- or single-storey versions of a and g, you can switch via stylistic OpenType sets. Other letters with alternative forms accessible the same way are ß and ampersand.

Corso works especially great for larger size uses such as signage, headlines or posters. But that doesn’t mean that it isn’t also useable for short texts.

Introducing a creative font named No rules. It's a very unique typeface with modern experimental shapes. It includes five different styles for letters and numbers. No rules font can help you to create an unexpected texture and graphical rythm.

Each next letter will be automatically switched to another variation using OpenType contextual alternates feature. Using capital or lower first letters will make a different looking words. Also letters set can be changed using stylistic alternates feature.

Please note: Only english alphabet and numbers have five glyphs variations. Multilingual characters have only two of them for capital and lower case letters.

Ardalos is a modern brush font, a contemporary approach to design, rather having a slight texture on the edges of the letters and this font also has an underline that makes your design more attractive.

Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.